Comparing Matisse Picasso And Van Gogh - 1463 Words

To compare and contrast artists Pablo Picasso and Van Gogh, and to consider their intentions with their artwork. In this essay, I will be comparing and contrasting artists Pablo Picasso and Van Gogh, considering their intentions with their artwork. Van Gogh and Picasso two of the most famous artists out there and still are to this day. Uncountable books have been published and dedicated to them and their lives and careers of being true artist. Their art has changed the way people view things and the world around them. Vincent van Gogh was one of many artists who self taught himself, who transformed the appearance of Post-Impressionism incessantly. His main focuses were his paintings, which he mostly painted in oil mediums. In his time, he has produced lot of paintings, most of which were of cityscapes, figure and landscape scenery. Unlike Pablo Picasso s imperfect colours used, Vincent van Gogh embraced bright colours, and soon developed his own unique style, suited to him. Van Gogh worked exceptionally well and at a very fast pace too, producing over 2,000 pieces of art in the space of 10 years as an artist, however out of all of them he sold only one throughout his whole entire life, and became famous, even after his death. Producing at least one painting a day, Van Gogh became more confident and was taught to use paint not of a paint pallet, but straight from the tube itself. He practised with lithography. Part of this was being inspired by Neo-impressionists andShow MoreRelatedThe Starry Night By Vincent Van Gogh2042 Words   |  9 PagesThe Starry Night, 1889 is a painting by Vincent Van Gogh while he was in an Asylum at Saint Remy de Provence. It portrays the view of the sunrise and the small village from the east facing window in Van Gogh’s room. The Starry Night is one of Van Gogh’s finest works, displayed in the Museum of Modern Art, New York since 1941. Van Gogh during his stay at the Asylum, is where he began producing some of his well-known paintings of his career, and The Starry Night is one of them. He was permitted with

Of Mice And Men Character Analysis - 1137 Words

The novel, Of Mice and Men, by John Steinbeck, written in 1937. Was placed in The Great Depression, in California. Of Mice and Men is a novel about two men named George and Lennie who have a dream to own a house on the land and have animals and a farm to themselves and Lennie is addicted to soft things. Lennie is all about tending rabbits in this dream they have. It is very rare for a two men to travel together in this time period. Everybodys working for themselves to get money for themselves to have a life, because it is very rare for two men to travel together people get very lonely they have no one just work. In the novel , Of Mice and Men, by John Steinbeck uses characters Candy, Crooks and Curleys wife to contribute to the overall†¦show more content†¦He is willing to give strangers that he just meant all of his money so he could help George and Lennie buy their dream land and live with them so he is not lonely anymore. Candy is a character who contributes with the theme of loneliness. In addition, Steinbeck uses the character Crooks to contribute to the theme of loneliness. Crooks is the only black man on the ranch more than ju st the ranch but the only black man for miles. Crooks is named Crooks because he is hunched back and cant stand up all the way because he got kicked in the back by a horse. Crooks takes care of the stable and the horses. Crooks lives by himself in a little shack on the side of the barn. Crooks lives by himself because he is black and all he has is books to read in his room. Crooks says, â€Å"... you go on get outta my room. I ain’t wanted in the bunkhouse, and you ain’t wanted in my room† (Steinbeck 68). Crooks says this in the novel to show that he is not wanted. Crooks is very lonely he went from being with his family on a chicken ranch to being in a old cabin alone with just books to read. Crooks invites Lennie in and Lennie begins to tell Crooks about George and his dream about buying land and tending rabbits and many other animals. Crooks says,â€Å"... If you.. Guys would want a hand to work for nothing just his keep, why I’d come an’ le nd a hand†¦Ã¢â‚¬  (Steinbeck 76) Crooks says this to Lennie to show he wants in on the plan. Crooks is not even willing to get paidShow MoreRelatedOf Mice And Men : Character Analysis1742 Words   |  7 PagesOf Mice and Men: Character Analysis John Ernst Steinbeck Jr. was an American author wrote many novels including one of his most famous, Of Mice and Men. Of Mice and Men teaches many lessons about the nature of human existence. Each relationship grows throughout this short story and end with a dramatic experience. All of the characters, including Lennie, George, Crooks, and Curley’s wife, admit, at one time or another, to having a profound sense of isolation, seclusion and loneliness. The authorRead MoreCharacter Analysis in of Mice and Men2098 Words   |  9 PagesCHARACTER ANALYSIS George George is the second main character and one of the protagonist after Lennie in Of Mice and Men. When Lennie gets into trouble, He always helps him find a solution or get away, though Lennie’s size combined with his mental handicap caused problems frequently. He is also a planner, telling Lennie where he should go if there is trouble on the ranch. To make the dream which is owing a ten-acre farm becomes a reality, He’s competent to work hard. Unlike theRead MoreCharacter Analysis Of Mice And Men910 Words   |  4 PagesJohn Steinbeck sets the scene of his novella, Of Mice and Men, in the Salinas River Valley, a few miles south of Soledad. The time period of the novella is the 1930’s during the Great Depression. The Great Depression began in 1929 after the U.S. had a major financial crisis. People lost all of their money and their homes when the stock market crashed. Many men became migrant farm workers who would travel from farm to farm, working for just enough m oney for food and a few belongings. John SteinbeckRead MoreOf Mice And Men Curley Character Analysis1277 Words   |  6 PagesThe mystery, the troublemaker, the mischief maker, all these words are used to describe a single person, the wife of the man named Curley. This woman whose name is not ever mentioned in the book, is a character from the book Of Mice and Men by John Steinbeck. The presence of this woman alone caused mischief, distrust, a bit of rivalry, and mishap on the farm among the coworkers of her husband. This trouble is demonstrated when Slim says to Curley,  ¨ Well, you been askin ´ me too often. I m gettin ´Read MoreOf Mice and Men by John Steinbeck973 Words   |  4 Pagescanals and working beside men similar to characters in his novels. 2. In a discussion John Steinbeck said, I worked in the same country that the story is laid in. The characters are composites to a certain extent. Lennie was a real person. Hes in an insane asylum in California right now. I worked alongside him for many weeks . . .† (Parini 27) a. During the interview Steinbeck told his personal experiences that permitted him to write and construct the novel Of Mice and Men. II. Proof of Thesis Read MoreAnalysis of Of Mice and Men by John Steinbeck1493 Words   |  6 PagesAnalysis of ‘Of Mice and Men by John Steinbeck ‘Of Mice And Men by John Steinbeck is a classic novel, tragedy, written in a social tone. The authorial attitude is idyllic, however, as the story develops it changes into skeptic. It is evident that Steinbeck knew the setting and places he is writing about. In my opinion Steinbeck drew the subject matter from his own experience of working on ranches, he was interested in special kinds of relationships among men working on ranches with him. ThereRead MoreEssay about Analysis of ‘Of Mice and Men by John Steinbeck 1488 Words   |  6 PagesAnalysis of ‘Of Mice and Men by John Steinbeck ‘Of Mice And Men by John Steinbeck is a classic novel, tragedy, written in a social tone. The authorial attitude is idyllic, however, as the story develops it changes into skeptic. It is evident that Steinbeck knew the setting and places he is writing about. Read MoreUnderdogs in of Mice and MEn1348 Words   |  6 Pages Analysis of ‘Underdog’ Characters in Of Mice and Men â€Å"A guy needs somebody – to be near him.† He whined, â€Å"A guy goes nuts if he ain’t got nobody†¦Ã¢â‚¬  (John Steinbeck 72). Love and belonging, is the third most important need in Maslow’s Hierarchy of Needs. As human beings, being a part of something is crucial to our development as a person. People can go insane if they live a life of isolation. In John Steinbeck’s novella, Of Mice and Men, the characters of Candy, Crooks, and Curley’s wife are drivenRead MoreThe Grapes Of Wrath And Of Mice And Men1644 Words   |  7 Pages27 books, widely known for award winning novels, The Grapes of Wrath and Of Mice and Men; Steinbeck is also a Nobel Prize winning of Literature. Steinbeck’s writing expresses realistic and creative thoughts, combining as they do compassionate comedy (through Lennie) and intense social perception with their surrounding national culture. John Steinbeck, â€Å"Of mice and Men†, Printed in 1937, articulating a tale of characters, George Milton and Lennie Small, two exiled migrant ranch workers in pursuitRead MoreInfluence Of Writer s Life And Times1416 Words   |  6 Pageshardship and destitution, greatly influenced John Steinbeck and his dismal novella, Of Mice and Men. Steinbeck, though raised in a fairly successful family in Salinas, California, knew what it felt like to scrounge for money. Working as a laborer and journalist in New York City, Steinbeck remembers his time immediately after college as hungry, dirty, penniless, and lonely, much like the main characters of Of Mice and Men. Steinbeck grew up with a love of writing, and dreamed of writing stories about his

The movie One Flew over the Cuckoo’s Nest Free Essays

Olivia Glaudel Abnormal Psychology 1/24/13 The movie One Flew Over the Cuckoo’s Nest is a portrayal of a group of males that are living in a mental instruction under the authority of a woman named Nurse Ratched. A new man named Randle Patrick McMurphy comes to join their ward and brings a new sense of excitement to the men already living in this institution. Randle McMurphy is a case that makes the doctors, nurses and workers of the hospital wonder if he is truly insane or just trying to find a way out of jail. We will write a custom essay sample on The movie One Flew over the Cuckoo’s Nest or any similar topic only for you Order Now Randle McMurphy was often irrational, impulsive and moody. The people surrounding him show a variety of different mental illnesses. One of the youngest boys in the ward, Billy, has a prominent stutter when he talks and it becomes even more noticeable when he becomes frustrated. Billy has also tried to commit suicide previous to living in the institution. Billy shows that this issue stemmed from a relationship with his mother, this is shown by Nurse Rached threatening to tell Billy’s mother of his sexual relations. Due to this threat Billy commits suicide. Another man that lives in the ward talks about the extreme jealously he has when it comes to his wife, and how he feels that other men are continually looking at her. He shows extreme paranoia and follows the rules with extreme precaution. This man also finds shame in his wife and late in the movie states that he committed himself to the institution. Another man in the institution throws childish fits when he begins to feel frustrated, upset, or confused. This man’s fits are often uncontrollable and filled with rage. Many therapies were used throughout the movie including group therapies, electro convulsive therapy, medication and the procedure called a lobotomy. Group therapies were often common in the day-by-day routine of the men. In this group therapy many of the men expressed deep issues that they have within themselves. This type of therapy showed no major changes to the patient’s attitudes and actions throughout the duration of the movie. Among the other therapies that were portrayed in the movies was giving each patient a drugs at a specific hour each day. The nurses did not release the information to the patients about what kinds of drugs were given and if different drugs were given specifically to each patient. This type of therapy also showed no difference in the behavior and attitudes of the patients that took it. Another therapy that was given when the patients caused trouble was electroconvulsive therapy. Randle McMurphy was given this therapy when he was found himself getting in trouble. This is not an accurate portrayal of how electroconvulsive therapy is used. Electroconvulsive therapy is not intended to be used as a punishment but instead as a treatment for very severe depression or severe illnesses that medication cannot cure. Randle Murphy left the electroconvulsive therapy session with as much enthusiasm as he came into it with. The last procedure that is evident in the movie was the lobotomy that was performed on Richard Murphy at the end of the movie. It shows two large incisions at each end of the front of his skull, when taken back to the ward another man approaches McMurphy, and he is not responsive. This is a procedure that is often used for patients that are beyond the help of therapy and medication. How to cite The movie One Flew over the Cuckoo’s Nest, Essay examples

Landscape and Art Pleasure Gardens

Question: Discuss about the Landscape and Art for Pleasure Gardens. Answer: Introduction: Civilization depends on culture for its development and existence and, in its turn, provides the conditions for the existence and development of culture. Historically culture precedes civilization. Man has been a slave for beauty and pleasure from time immemorial. He has time and again reinvented ways to gratify his senses in more than one ways. He has, overtime found out new ways to bring out the beauty and aesthetics in art as well as in daily life. Music, art, architecture and landscapes are general areas in which men has nurtured and developed to achieve a maximum level of beauty and nicety. One of the most common places where the use of beauty and pleasure is used is in the arrangement and beautification of gardens (Edmondson 2013). Landscape especially gardens cannot be simply considered as a natural space or a feature of natural environment, it is a signature of human taste and choice. It is the most common area of landscape that reflects human activity and cultural values. Ga rdens, especially pleasure gardens, specifically mirror the taste and preferences of humans over the age. Although now the concept has become rare, earlier, it was the most common form art that was imbibed in landscape. Pleasure gardens combined elements of time and space, and represented political, cultural as well as social constructs. In this essay, we will trace and discuss the concept of pleasure gardens in the Victorian era. The period of the eighteenth century, was extremely important in terms of art and fine arts (Greig 2012). Man has time and again sought and found out different outlets to vent out his quest to fulfill his artistic side. Music, literature, arts and fine arts are the common areas in which he strived to create an artistic identity. Right from the origins of mankind, man has strived to create his own identity through artistic inclinations and demonstrations. Pleasure gardens are one of the channels, which gave an outlet to the artistic bent of man. The cultural manifestation of beauty and spirituality in art is the utmost important objective that man has to follow to in order to give his creativity an artistic outlet. The curiosity and sense of wonder in humankind have always led to the creation of beauty and excellence in the world. Over the centuries, art has been revised and reinvented to arrive at a much celebrated and acclaimed point of superiority in the field of art. During the 18th century, Alexander Baumgarten brought together notions of beauty, wonder and taste into the world of ar t and nature (Nead 2014). Pleasure gardens are gardens that are open to the public for the purpose of recreation and entertainment. The pleasure gardens differ from other forms of garden. It contains in it different venues for entertainment like zoos, concert halls, bandstands, and menageries. The pleasure gardens of the Victorian era have been very luxurious and important in the context of gardens. The pleasure gardens were the melting pots of the society of eighteenth century. The most successful was those of London (Brewer 2013). The first pleasure garden was opened in the year 1746. In the 18th century, the private pleasure gardens of England hosted the nobility, royalty and the famous people of the age who promenaded through wonderful vistas and artfully built ruins in an Eden of fountains and glittering lights. These types of gardens were the first venue where everyone was treated equally. The pleasure gardens were the only venue where there was an equal treatment of all individuals without the discrimi nation based on the ranks of the society to which they belonged. Anyone with a ticket was granted an entry in the gardens. During the mid to the late 18th century, the gardens were the backdrop for countless parades, concerts, balls, masquerades and public breakfasts. The Victorian pleasure gardens were the favorite haunts of the people of the eighteenth century. It served as a backdrop for intermingling and entertainment (Miles 2013). The eighteenth century England was filled with dirt and grime all around due to the lack of proper sanitation system and sense of hygiene in people. Therefore, construction of these gardens acted as a respite for the commoners. It served as a paradise to the commoners. In the early years of eighteenth century, William Kent a renowned artist and designer began to compose gardens to look like landscape paintings. The gardens with its beautiful trees, fountains and architecture served as a haven to all the commoners irrespective of class. In many ways the gardens helped the people to escape from the busy hustle and bustle of daily city life. It offered them a variety of entertainment like musical concerts, masquerade balls, balloon rides, fountain displays, waterfalls, and fireworks. There was something for everyone in those gardens(Douglas 2013). One of the most important attractions of visiting these gardens during this era was that there was a high chance of the commoners being notic ed by members of the high society of London. Some of the pleasure gardens of England are Vauxhall gardens, Ranelagh gardens, Marylebone Gardens, Cremorne Gardens and Royal Surrey Gradens (Conlin 2012). The modern day pleasure gardens had its beginning in the 18th century England. The first pleasure gardens, opened in 1746 had acres of formal gardens with long extensive avenues. The Ranelagh garden was quite famous as a pleasure garden. It boasted of many fancy and magnificent structures and pathways through which citizens royal and commoners alike strolled in the evenings. Chinese Pavilion, fountain of mirrors and the great 200-foot wide Rotunda were the main attractions of this garden. Originally, the gardens were designed and meant to cater to the wealthy sections of the society. However, gradually the rich and the poor alike visited it. The entrance fee to Vauxhall gardens was just one shilling, which made it very popular and affordable to the commoners. Many provincial towns also had their own versions of pleasure gardens that were modeled after the immensely popular gardens of London (Zipes 2014). The Vauxhall gardens opened in the year 1661. Situated in Kennington on the south bank of the River Thames, it was one of the principal venues for public amusement during the mid-17th century to the mid-19th century. The garden was opened just before the Restoration of 1660 on a piece of property previously owned by Jane Fauxe or Vaux in 1615. Samuel Pepys made the first known mention of this garden in 1662. There were many amusements in the park like hot-air balloon ascents tightrope walkers, and entertainment by fireworks. There was a footfall of about 12,000 during the year 1749 to watch a musical. Music for the Royal Fireworks and a fancy dress jubilee in the year 1786, attracted a large number of spectators as there was the presence of many renowned musicians like Sophia Baddeley (Cook 2014). It was re-launched in the year 1732. The gardens garnered a name for itself when it hosted a fancy dress ball attended by the then Prince of Wales. The main walkways of the garden were lit at night by hundreds of lamps. One of the most important attractions of Vauxhall Gardens is artificial illumination. As is the case with any other garden, the Vauxhall gardens was the preferred destination of many families with children during the day. However, at night, the garden became the favorite haunt for couples, pickpockets and sexual predators. The Vauxhall garden, the first and most important of the pleasure gardens of the Georgian era. The garden was closed in the year 1840 after the owners suffered bankruptcy but it re-opened in the year 1841. After the change of ownership in 1842, it permanently closed its doors in 1859. It was named Vauxhall Pleasure Gardens in the year 2012 (Bailey 2014). By the end of the 18th century, there were about five dozens of pleasure gardens in and around London. Chief competitors to Vauxhall gardens were Marylebone Gardens and Ranelagh Gardens. Marylebone Gardens opened in the year 1737 and Ranelagh Gardens opened in the year 1742. The gardens remained open from early May until late August (Greiner 2014). The Ranelagh gardens were more popular amongst the higher strata of the society. It was situated in Chelsea, just outside London. The Ranelagh garden was built in the year 1688 to 1689 by the first Earl of Ranelagh. The garden was opened to the common people in the year 1742 or 1746. It was considered more fashionable than its older rival, Vauxhall Gardens. It was more expensive than its rival was. The entrance fee of the garden was two shillings than the one shilling of Vauxhall Gardens (Coke 2016). The Ranelagh Gardens was the favorite haunts of the rich and famous. It was also a favorite destination for couples in love. It was famous for a centerpiece known as rococo rotunda. It was a prominent column like structure in the garden with a diameter of 37 meters. A surveyor of the East India Company, William Jones built it. Right from the beginning, the Rotunda at the Ranelagh gardens was a significant venue for musical concerts and performances. In the year 1765, a nine-year-old Moza rt performed in the Rotunda. The central support had fireplaces and a chimney that were used in the winter. The ceiling was painted in olive color with rainbow colored edges from which hung numerous chandeliers that were ornamented with a gilt crown containing crystal bell-lamps of candles. The rotunda was closed in the year 1803 (Ballard 2015). In the Ranelagh gardens, the gardens itself were formally laid out. There were several gravel walks bordered with elm and yew trees. A beautiful flower garden and an exquisite octagon grass plat. At night these walks were prettily lit with lamps which were hung from the trees. In its heydays, the main attraction of the garden was masquerade balls at the rotunda in the garden. The Ranelagh garden came up after the success of the Vauxhall garden. It was renowned for its music and the lights. It was designed by John Gibson. The Ranelagh garden today stands in the location where the Chelsea flower show is held. The eighteenth century England enjoyed a democratic stable government, thriving international trade and a stable social and economic condition. As a result the art of the country flourished. Since there was a general peace of mind amongst the public, the successful and hard-working traders, merchants, craftsmen and professionals found it increasingly suited to their tastes to visit the opera houses, music clubs and pleasure houses, which were a specialty in London. The pleasure gardens attracted patrons from almost all socio-economic classes. The gardens provided a suitable platform for organizing music shows and firework displays. The location provided an excellent scope for having a pleasant conversation with fellow citizens and even sometimes, with strangers. These locations provided a scope for intermingling of people of different classes (Kane 2013). It attracted people from all walks of life as it offered a variety of choices for entertainment like music, fireworks, fountains t hat were illuminated and it also offered light refreshments to the public. The Vauxhall gardens were the most fashionable of the pleasure gardens (Hayward 2013). The Ranelagh gardens followed shortly after the super success of the Vauxhall gardens. Therefore, it can be observed that the pleasure gardens offered a lot more for a garden to the public. They served an easy and affordable option to gardens who did not have other ways to visit a garden. The Victorian London gave gardens the same status as painting or poetry. Gardens were considered as a platform to showcase the artistic bent of individuals of that era. Along with providing a canvas to portray art, gardens also provided the necessary function of contributing to the world of art. It also provided an excellent scope of intermingling in the society thus enriching the standard of the society. Pleasure gardens were made for the purpose of entertainment and culture in the Victorian era. This type of gardens were the form of landscape that witnessed the maximum influence of art. The pleasure gardens were the most common form of entertainment venue in the Victorian era. It provided some much needed relief to the commoners who were plagued and tired by the filthy surroundings of the common London (Chase 2013). Culture is the accumulation of material and spiritual values that is made by the humans. It is often identified with the works of art. Everything the mankind does and the way that it is done comes under the definition of culture. In every culture, there has been a presence of an artistic exploration of mans pursuit. The need to gratify the quest for art and beauty is inherent in man. He tries to outwardly express his creativity through art. The installation and creation of new and acclaimed art and artful subjects in the society gently reminds us that landscape, music and literature are all under the purview of art. The importance of pleasure gardens is very pronounced in the background of landscape history. Over the centuries, man has found out different and innovative ways to let his creativity out. Pleasure gardens were the most important of the landscapes that helped to exhibit the creativity of man. The human civilization depends on culture for its existence and development. Cul ture has been the integral force holding the human civilization from time immemorial. It is one of the essential forces, which pushes the society forward with all the flavor and essence. The culture has been reflected through various means and methods. One of the most pivotal impacts of the culture of mankind is the pleasure gardens. References: Bailey, Peter.Leisure and class in Victorian England: Rational recreation and the contest for control, 1830-1885. Routledge, 2014. Ballard, Phillada. "The Loudons and the Gardening Press: A Victorian Cultural Industry." (2015): 451-452. Brewer, John.The pleasures of the imagination: English culture in the eighteenth century. Routledge, 2013. Chase, Karen S. "Special Issue, INCS 2013: Leisure, Enjoyment, Fun." (2013): 443-444. Coke, David Edward. "Vauxhall Gardens in an Uproar: The Reinhold Affair of 1750."The London Journal41, no. 1 (2016): 17-35. Conlin, Jonathan, ed.The pleasure garden, from Vauxhall to Coney Island. University of Pennsylvania Press, 2012. Cook, Kelly D. "The Pleasure Garden, from Vauxhall to Coney Island." (2014): 84-85. Douglas, Lake. "Certain pleasures, ambiguous grounds: the etymology and evolution of the pleasure garden."Journal of Landscape Architecture8, no. 1 (2013): 48-53. EDMONDSON, JOHN, and Jonathan Conlin. "The Pleasure Garden, from Vauxhall to Coney Island." (2013): 150-151. Greig, Hannah. "All Together and All Distinct: Public Sociability and Social Exclusivity in London's Pleasure Gardens, ca. 17401800."The Journal of British Studies51, no. 01 (2012): 50-75. Greiner, Rae. "Victorian Lessons in Empathy and Difference." (2014): 201-203. Hayward, Arthur L.The Days of Dickens (RLE Dickens): A Glance at Some Aspects of Early Victorian Life in London. Routledge, 2013. Kane, Josephine.The Architecture of Pleasure: British Amusement Parks 19001939. Ashgate Publishing, Ltd., 2013. Miles, Ellie. "A Museum of Everything: Making the Pleasure Gardens inside the Museum of London."The London Journal38, no. 2 (2013): 151-165. Nead, Lynda. "The Pleasure Garden, from Vauxhall to Coney Island." (2014): 203-205. Zipes, Jack. "Victorian Writers and the Infectious Fairy Tale: Spellbound: The Fairy Tale and the Victorians." (2014): 413-415.